DAVID BAUDER
The photograph of a bloodied Donald Trump with his fist in the air and an American flag looming in the background is quickly emerging as the pivotal image of Saturday’s shooting, and it wouldn’t exist without a journalist who acted quickly and on a hunch.
Video of the assassination attempt at a Pennsylvania rally filled television screens before it was even clear what had happened. Yet the work of the Associated Press’ Evan Vucci, Getty’s Anna Moneymaker and Doug Mills of the New York Times—whose picture caught apparent evidence of a bullet whizzing past Trump’s head—proved the enduring potency of still photography in a world driven by a flood of moving pictures.
Vucci’s image, one of many he took on Saturday, could also have political implications from many directions—as indelible images often do in the days and years after seismic events happen.
“Without question, Evan’s photo will become the definitive photo from the (assassination) attempt,” said Patrick Witty, a former photo editor at TIME, the New York Times and National Geographic. “It captures a range of complex details and emotions in one still image—the defiantly raised fist, the blood, the agents clamoring to push Trump off stage and, most importantly, the flag. That’s what elevates the photo.”
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