4 June 2024

The Limits of the AI-Generated 'Eyes on Rafah' Image

ANGELA WATERCUTTER
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Years ago, when people still used Boolean search and I was a cub reporter, I worked with photographer Nick Ut at the Associated Press. It felt like being in the presence of one of the Greats, even though he never acted like it. We drank the same office coffee, even as I was barely out of journalism school and he had a Pulitzer Prize that was nearly three decades old. Ut, if you don’t recognize the name, took the photo of “Napalm Girl”—Kim Phuc, whom Ut captured in 1973, at 9 years old, running from a bombing in Vietnam.

Lots of people know that photo. It’s one of the most searing images to come out of the Vietnam War—one that shifted attitudes about the conflict. Ut himself wrote many years later that he knew a single photo could change the world. “I know, because I took one that did.”

Hundreds of photos have come out of the Israel-Hamas war since it began more than seven months ago. Bombed out buildings, mass funerals, damaged hospitals, more injured children. But, as of this week, there’s one that’s garnered more attention than most: “All eyes on Rafah.”

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