Clarissa Wei
In September 2022, I was working as a fixer in Taipei for a U.S. news segment about cross-strait tensions, handling local logistics for a visiting producer and cameraman. Fixers are freelance staff whose role is somewhere between journalist and tour guide—they can end up doing everything from arranging interviews to translation to booking hotels. One night, we arrived at an amateur radio meetup in a park, ready to shoot, and found an eccentric crew of local radio fans. One man hunched over a tangled web of equipment at the back of his truck, tapping away in Morse code; another fidgeted with an antenna as he walked around, trying to get a signal. The producer told me that the group was learning how to operate radios in case of war with China.
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