James M. Dorsey
Russia and the Nordic countries’ pavilions at this year’s Venice Biennale, the world’s most prestigious art exhibition, project two different concepts of civilisation, nationalism, and sovereignty that have come to blows in Ukraine.
Newly renovated, brooding, and inward-looking, Russia’s art nouveau pavilion stands empty and abandoned after its Lithuanian curator and artists resigned in protest against Russia’s invasion of Ukraine. A lone armed guard is what is left of what would have been Russia’s cultural contribution.
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