Dec 19th 2015 | ISTANBUL |
http://www.economist.com/news/christmas-specials/21683981-worldly-pluralist-hedonisticand-muslim-too-straddling-two-worlds
ORHAN OSMANOGLU cradles a French handkerchief embossed with the letter H. “This is all I have left that’s my great-great-grandfather’s, the caliph’s,” he says. His family has fallen far since those illustrious days. Abdulhamid II lived in a palace, Yildiz, in the heart of Ottoman Istanbul; Orhan lives in a high-rise at the end of an Istanbul bus route. Europe’s royals flocked to caliphal functions, but when Orhan’s daughter married, Turkey’s present rulers stayed away. Worst of all, an Iraqi impostor has stolen the title his family bore for hundreds of years. Abu Bakr al-Baghdadi’s barbaric outfit, Islamic State (IS), promises to restore the caliphate. Does Mr Baghdadi know what he is talking about?
For 1,300 years the caliphs, or “successors”, prided themselves on developing the Islamic community the Prophet Muhammad left behind. The Ottoman Empire, which rivalled the Roman one in longevity, came to include not only the Middle East, but north Africa, much of the north Black Sea coast, and south-eastern Europe all the way to the gates of Vienna. Ruling from Istanbul, the caliphs kept polyglot courts, reflecting the multiple religions and races represented there. French was a lingua franca at the Ottoman court; Persian, Armenian and Arabic were also spoken.
The caliphs were far from doctrinaire. Abdulhamid II, who ruled from 1876 to 1909, was one of the more Islamist, but he loved music (forbidden by IS) with a passion. He grew up in a court where the princesses played a piano coated in gold leaf given by Napoleon III, and Layla Hanoum taught the princes the cello. On Thursday evenings he would accompany Sufi masters in reciting the dhikr (rhythmic repetition of the name of God), and his imperial orchestra would play Offenbach on the way back from Friday prayers at the mosque. At state banquets the orchestra would match each course to a different concerto, including some by “Pasha” Giuseppe Donizetti, Gaetano’s older brother, who was the court composer. The last caliph, Abdulmecid II, played the violin, entertaining a mixed audience of men and women at concerts.
http://www.economist.com/news/christmas-specials/21683981-worldly-pluralist-hedonisticand-muslim-too-straddling-two-worlds
ORHAN OSMANOGLU cradles a French handkerchief embossed with the letter H. “This is all I have left that’s my great-great-grandfather’s, the caliph’s,” he says. His family has fallen far since those illustrious days. Abdulhamid II lived in a palace, Yildiz, in the heart of Ottoman Istanbul; Orhan lives in a high-rise at the end of an Istanbul bus route. Europe’s royals flocked to caliphal functions, but when Orhan’s daughter married, Turkey’s present rulers stayed away. Worst of all, an Iraqi impostor has stolen the title his family bore for hundreds of years. Abu Bakr al-Baghdadi’s barbaric outfit, Islamic State (IS), promises to restore the caliphate. Does Mr Baghdadi know what he is talking about?
For 1,300 years the caliphs, or “successors”, prided themselves on developing the Islamic community the Prophet Muhammad left behind. The Ottoman Empire, which rivalled the Roman one in longevity, came to include not only the Middle East, but north Africa, much of the north Black Sea coast, and south-eastern Europe all the way to the gates of Vienna. Ruling from Istanbul, the caliphs kept polyglot courts, reflecting the multiple religions and races represented there. French was a lingua franca at the Ottoman court; Persian, Armenian and Arabic were also spoken.
The caliphs were far from doctrinaire. Abdulhamid II, who ruled from 1876 to 1909, was one of the more Islamist, but he loved music (forbidden by IS) with a passion. He grew up in a court where the princesses played a piano coated in gold leaf given by Napoleon III, and Layla Hanoum taught the princes the cello. On Thursday evenings he would accompany Sufi masters in reciting the dhikr (rhythmic repetition of the name of God), and his imperial orchestra would play Offenbach on the way back from Friday prayers at the mosque. At state banquets the orchestra would match each course to a different concerto, including some by “Pasha” Giuseppe Donizetti, Gaetano’s older brother, who was the court composer. The last caliph, Abdulmecid II, played the violin, entertaining a mixed audience of men and women at concerts.